TELL US ABOUT YOURSELF

I’m from Anambra, raised in Lagos, studied fine and applied arts at University of Nigeria, Nsukka, and have been a practicing artist since then.

HOW DID YOU DISCOVER YOUR CRAFT

My unique palette emerged from my first experience with oil paint. I mastered it over time, blending it with my interests in human anatomy and surrealism.

WHAT INSPIRED YOUR STYLE OF WATERCOLOR & OIL

Fluidity. Both media, though different, allow for controlled color experiments. I often let the paintings develop spontaneously.

WHICH OF YOUR PIECE CHALLENGED YOU THE MOST

Every piece has its own “wahala”, but “Red Cross” stands out

WHAT ARE YOUR CHALLENGES AS A CREATIVE

Balancing my artistic vocation with other aspects of life is crucial yet challenging.

WHAT WAS A MEMORABLE EVENT AS AN ARTIST

My first solo exhibition, curated by Prof. Kyrdz Ikwemesi, was incredibly encouraging and is a special memory for life.

HOW DO YOU FEEL YOUR SOCIETY AFFECTS YOUR INDUSTRY

To give a surface response, i think society helps form our identities as individuals. As artists, my immediate society just tolerates my existence. I don’t think the typical Nigerian is astounded by art nor understand it’s importance. It could be better.

DO YOU FEEL THERE’S A GOOD SUPPORT ATMOSPHERE WITHIN YOUR INDUSTRY

Yes. Role models and peers are welcoming, humble, and supportive. Artists support each other, which is important.

WHAT’S THE MOST REWARDING PART OF WHAT YOU DO

*Mehn, the release when you accomplish an idea that’s been stuck in your head is incredibly rewarding. It’s a blessing to transform abstract ideas into physical masterpieces.

ONE THING YOU HOPE TO IMPROVE ON IN YOUR INDUSTRY

I’d like more attention from galleries, do more shows, and share more of my artistic vision. It’s every artist’s dream, I imagine.